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Rather than using band members, producer Terry Melcher hired a collection of top session musicians, retroactively known as the Wrecking Crew, including Hal Blaine (drums), Larry Knechtel (bass), Jerry Cole (guitar), and Leon Russell (electric piano), who (along with Mc Guinn on guitar) provided the instrumental backing track over which Mc Guinn, Crosby and Clark sang.In addition, it was during their residency at the nightclub that the band first began to accrue a dedicated following among L.Clarke was recruited largely due to his good looks and Brian Jones-esque hairstyle, rather than for his musical experience, which was limited to having played congas in a semi-professional capacity in and around San Francisco and L. The single, which coupled the band originals "Please Let Me Love You" and "Don't Be Long", featured Mc Guinn, Clark, and Crosby, augmented by session musicians Ray Pohlman on bass and Earl Palmer on drums.In an attempt to cash in on the British Invasion craze that was dominating the American charts at the time, the band's name was changed for the single release to the suitably British-sounding the Beefeaters.A.'s youth culture and hip Hollywood fraternity, with scenesters like Kim Fowley, Peter Fonda, Jack Nicholson, Arthur Lee, and Sonny & Cher regularly attending the band's performances.On March 26, 1965, the author of the band's forthcoming debut single, Bob Dylan, made an impromptu visit to the club and joined the Byrds on stage for a rendition of Jimmy Reed's "Baby What You Want Me to Do".

A.'s nightclub scene and resulted in hordes of teenagers filling the sidewalks outside the club, desperate to see the band perform.

Indeed, the contemporary music press was extremely critical of the Byrds' abilities as a live act during the mid-1960s, with the reaction from the British media during the band's August 1965 tour of England being particularly scathing. In addition, music critic William Ruhlmann has noted that the song's lyrical message of peace and tolerance struck a nerve with the American record buying public as the Vietnam War continued to escalate. His songs from this period, including "She Don't Care About Time", "The World Turns All Around Her", and "Set You Free This Time", are widely regarded by critics as among the best of the folk rock genre.

During concert performances, a combination of poor sound, group illness, ragged musicianship, and the band's notoriously lackluster stage presence, all combined to alienate audiences and served to provoke a merciless castigating of the band in the British press. Author Scott Schinder has noted that, along with Mr. The latter song was even chosen for release as a single in January 1966, but its densely worded lyrics, melancholy melody, and ballad-like tempo contributed to it stalling at number 63 on the Billboard chart and failing to reach the UK chart altogether. being released, Dickson and the Byrds approached Columbia Records and requested that Melcher be replaced, despite the fact that he had successfully steered the band through the recording of two number 1 singles and two hit albums.

Despite the dizzying array of personnel changes that the group underwent in later years, this lack of a dedicated lead singer would remain a stylistic trait of the Byrds' music throughout the majority of the band's existence.

A further distinctive aspect of the Byrds' image was their unsmiling air of detachment, both on stage and in front of the camera. (to Everything There Is a Season)", which provided the band with their second U. number 1 single and served to cement folk rock as a chart trend. album served to establish the Byrds as one of rock music's most important creative forces, on a par with the Beatles, the Beach Boys and the Rolling Stones.

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Tambourine Man (1965), by melding the influence of the Beatles and other British Invasion bands with contemporary and traditional folk music.

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